About Dar Williams
Dar Williams’ lyrics contain bouquets of optimism, delivered on melodies alternating between beguiling lightness and understated gravity. Williams strongly believes that all of us possess our own power and ability to achieve, and she rejects the exceptionalism that encourages us to “admire that yonder star,” while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point, you just can’t.
Like everyone else, Williams spent 2020 in that state of non-control. She and longtime producer Stewart Lerman tracked most of the album, her 12th studio recording, in November of 2019. In late February of 2020, she cut the title tune in Woodstock with bassist Gail Ann Dorsey and Larry Campbell, who produced the track and played guitars, pedal steel and twangy baritone guitar. When told they had to postpone a mid-March mixing date, Campbell said he wasn’t feeling well anyway. Turns out he’d contracted a serious case of COVID-19. That was a clear sign that at some point, you have to meet life where it meets you …the common thread throughout that these songs, the willingness to meet life as it arrives.
Dar Williams was always in the right place at the right time for the success she’s had over a 25+-year career. She rose out of the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, like Patty Griffith, Melissa Ferrick, the Throwing Muses, Vance Gilbert, and Jonatha Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United States.
“Good and bad things happen, and it’s not necessarily a reward or indictment. I’ve just got to meet it.” Williams observes. “Like, I’m bringing my whole life to this moment; it will surprise me, challenge me, show me where I was wrong, even make a fool out of me, but my job is to show up and not take adversity personally. Real happiness doesn't have to feel like Snoopy dancing with Woodstock; it can just be knowing you have the resilience to meet whatever comes to you. I will call that a good life.”
About Pat Byrne
Following his 2021 Into The Light album, Byrne delivered strong new works in 2022. His unmistakable voice and cinematic lyrics continue to touch our universal humanity. Supported by legendary musicians from Emmylou Harris’s band he presents another gem with “Only a Man”. Recorded at The Next Waltz with Bruce Robison and band, “Until it Isn’t” is a gorgeous rendition wistfully recalling lost love. Byrne’s December 2022 release, “Feels Like Living”, makes palpable the working musician’s struggle and uncertainty, underpinned by a nostalgic arrangement of strings and harmonium. Into the Light, recorded at the Sound Emporium studio in Nashville, takes the listener on an emotional journey with lyrics both touching and agonizing—heightened by Byrne’s dynamic vocal
style.
December 2021 saw Byrne’s Into The Light, named a top 10 album of the year by the Austin American Statesman. He was also awarded the Black Fret “Member’s Choice” grant as of the top three vote recipients of member vote allocation process. Byrne migrated from Ireland to Austin, Texas in late 2017. Since then, he has melded two musical cultures known for introspective lyricism and raw, from-the-heart emotion - with spectacular results.
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